From fiction to reality: the Hall of Inventions tells the story of smartphones
Today,
capturing life's best moments is possible not only through sensory perception
but also by taking photos and recording videos on a smartphone. The fascinating
history of such devices is narrated by guides at the National Centre RUSSIA.
In the Hall
of Inventions, which showcases engineering marvels and the astonishing
realization of technologies imagined by science fiction writers, visitors
discover that in 1928, Alexander Belyaev described a mobile phone with striking
precision. "In his hand, I noticed a small round black object <...>
the man held it to his mouth as he spoke <...> A phone without wires!"
he wrote in his work "Struggle in the Ether." This occurred 45 years
before Motorola released the first wireless phone.
The first
mobile phone call was made on April 3, 1973, when the device's inventor, Martin
Cooper of Motorola, called his competitor Joel Engel of AT&T. In the USSR,
the first mass cellular operator, Delta Telecom, was established in 1991.
The words
of Kir Bulychev in his novella "A Hundred Years Ahead," published in
1978, also turned out to be prophetic. For example, in Moscow in the year 2082,
where Moscow schoolboy Kolya Gerasimov finds himself, people wear smartwatches
and read the news on smartphones. At the time the novella was written, this
seemed like pure science fiction, but today, smartwatches and smartphones no
longer surprise anyone. They are used not only for reading the news but also
for searching any information, communicating via social networks, video calls,
photography, and even office work.
Free guided
tours of the National Centre RUSSIA start every 15 minutes from the main
information desk. May your smartphones capture only happy memories during the
New Year holidays!
The festival passed its tenth anniversary last year, and its popularity in its home city continues to grow.
How such finds change our understanding of our ancestors and their vision of the world was discussed at a meeting of the series "Conversations with Stanislav Drobyshevsky".
For Nadezhda Babkina, the Motherland begins not with state symbols or borders, but with childhood, her native home and the feeling of unity that arises.
