Generational conflict: the painting "Sisyphus' Greenhouse" at the "Legacy for the Future" exposition
The
exposition at the National Centre RUSSIA that will last till February 2
showcases works by young artists from Russia, China, India, Brazil, Ethiopia,
and Iran. Visitors can view over 250 pieces, including paintings, sculptures,
photographs, art objects, as well as video and animation.
One
painting that draws particular attention is "Sisyphus' Greenhouse," a
vivid, symbolic, and subtly ironic work by artist Chen Kanging. The myth of
Sisyphus intertwines with its modern interpretation in this piece. The striking
combination of colors, unique imagery, and myriad details captivate visitors,
who linger in search of deeper meaning. According to Yuri Bolotov, a guide at
the National Centre RUSSIA, all interpretations are valid and deserve
acknowledgment, even if the artist intended an entirely different message.
The myth of
Sisyphus' endless toil provokes reflection on the futility of many human endeavors,
especially when confronting fate or chasing success. Looking at the painting,
one cannot help but recall the "achievement cult," which, while
inspiring self-improvement, also leads to burnout and even psychological
challenges.
Perhaps as
a response to this phenomenon, a movement known as "tangping" (躺平) — "lying flat" — has
gained traction in Chinese society in recent years. Among young people, the
idea of adopting a passive stance is becoming increasingly popular. With the
advancement of artificial intelligence, the boundaries between the real and
virtual worlds are blurring. People are more frequently immersing themselves in
the internet, avoiding face-to-face interactions.
"I
also see a generational conflict reflected in this painting. The older
generation does not always accept the fact that young people strive to simplify
their lives and may choose to live for their own pleasure," concluded the
guide.
Visitors to
the National Centre RUSSIA can explore the exposition independently or join
free guided tours, available in 30-minute or one-hour formats. Registration is
open on the website under the "Events" section.
On 25 September, the National Centre RUSSIA hosted the session "Aesthetics, Usability, Meaning. Design for a Competitive State".
Russian Creative Week is the largest forum-festival in the creative economy.
The official website of the National Centre RUSSIA has launched a digital project — a virtual tour of the exposition.
